(Title) Conflicts and the high priests … middle Archbishop Hieronymus. The relationships between strains of the Holy Synod bishops adjacent to the archbishop and not in their best spell.
The conflict “starring” the one that Chief Financial Officer Anthony Zambelis and priests as Bishop of Ioannina Theoklitos Minor and Basil. On the other through a heterogeneous coalition, priests like Kavala Procopius, Kaisariani Daniel and Ilia German critics in the handling of those responsible for the finances of the Church.
At the heart of the conflict are two issues. On the one hand, the purchase of a plot of four acres in the area of Vouliagmeni and the other managed by the NGO “Solidarity”. Yesterday I met the Permanent Holy Synod and rushed to provide coverage to members of the Steering Committee of Financial Services Meeting, stating that the sale of land “was adopted in two previous meetings of the composition of the Standing Holy Synod and awaits the decision of Justice, the procedure which trust and make available all existing data. While authorizing the Metropolitan of Ioannina go-if he deems it appropriate – to actions or lawsuits if it considers that hurt the interests of the Church.
As is known, to sell four acres referred to the regular trial judge after proceedings in rem brought by the District Attorney of Athens for the offenses of “inciting infidelity, direct complicity in unbelief and false certification».
On the other hand, is back and is now to employ members of BIL, the NGO “Solidarity”. The NGO was renamed “Love” and came under the control of the financial services of the Holy Synod. The Metropolitan Theoklitos of Ioannina, the position of Chairman of the Steering Committee of Financial Services, in a letter to the Holy Synod criticizes the work of the directors of “Solidarity” and asking for checks. “To operate the company under conditions of crisis and not as now (month-month goes out there and cheers of the Sucker),” writes features.
Pinch TV
26-8-2010
Tammany Hall Mechanical Coin Bank, 1873 
Image by Cornell University Library
Rambo Amadeus (Serbian Cyrillic: Рамбо ÐмадеуÑ, born June 14, 1963 in Kotor, Montenegro, SFR Yugoslavia) is the stage name of the Belgrade-based Montenegrin singer-songwriter Antonije PuÅ¡ić, popular all over the former Yugoslavia. A self-titled “musician, poet, and media manipulator” continues to be one of the most interesting phenomena on music scene (s) of the former Yugoslavia. His songs combine satirical lyrics on the nature of common people and silliness of local politics. He uses a mixture of musical styles (converging towards drum and bass in later works, but involving a lot of turbo-folk elements in earlier songs), and self-conscious ironic wit (for example, one of his aliases is “Rambo Amadeus Svjetski Mega Car “(RASMC) -” Rambo Amadeus World Mega Emperor “). His stage name itself is made from John Rambo and Wolfgang Amadeus Mozart. Known also as a “charming king of jovial pop”, his concerts are never mere repetitions of recorded songs, but a mixture of musical improvisation and humor exploiting all aspects of human nature in a crude manner. Some fans compare his style and career path with those of Frank Zappa or Captain Beefheart. He is a graduate of the University of Belgrade’s Faculty of Mathematics and Natural Sciences and he also completed six grades of elementary music school for piano before dropping out. Before taking up music as a career choice, Rambo was an accomplished competitive sailor. Between 1972 and 1984, he represented Yugoslavia in numerous …
Grover Cleveland Portrait 
Image by Cornell University Library
