Marina Satti: “I regret yawning in Eurovision, I don’t care to be a congressman”

She talked to Nikki Lyberakis about everyone and everything. For the reactions that caused her yawning, to her father’s death and the difficulties in her course. Marina Satti met Nikki Lyberaki in Mega’s Great Image. The interesting debate could not have missed the artist’s notorious yawn at the Eurovision press conference and the whims that followed. “I could have been smarter and more suspicious in this process. It was a very special year talking to artists who have been in the past. There was a tense climate before we went to Sweden and the streets. I couldn’t go for a walk. She had to be with the police escort,” Marina Satti said and then described what was going on backstage and the polarization climate that had been created. “My yawning and reaction were linked at a certain time to what my position was with what happened in Gaza. It’s not about being connected. There was a very specific question posed by a journalist, the answer I heard did not cover me – it is about whether we felt safe and the treaty of our lives in danger and of feeling upset – because in the backstage there was an army. I wasn’t allowed out of the arena. There was a check as if you were entering the airport. It’s been a long time to figure out what’s happened and this thing’s huge. When the important rehearsal was over, they told me it was a mess and everyone was dealing with it,” he added. “I regret and regret because I was not alone and representing Greece and having partners next to me, they may have been embarrassed. I’m sorry if I made it hard for people who had supported me,” Marina Satti said. The popular performer also talked about her father’s death and their relationship, noting that “To tell the truth, I don’t remember if I’ve said it. There was a long time in my life when I hadn’t talked to my dad. At one point my parents were divorced and my dad went to Sudan, so it was about 10 years ago. I feel that for me this loss was the first, the farewell, that I had to experience and overcome. Two years ago my people came from Sudan because of the war – my dad, his wife and my sister – and it was a pleasure. I said we’d have some time. This was done from one moment to another and people left Sudan overnight. This distresses me, that I thought we would have some time to enjoy it for all those years we were away.” For the comments of some after her appearance in Istanbul, Marina Satti made it clear that: “What has made me difficult over the past year, is that I feel that things I have said or done are somehow coming out of context and treaty. They are commented on, reproduced and interpreted completely differently. What happened in Istanbul is on video online. What Greek has gone to Istanbul and has not been moved? What Greek goes to Istanbul and doesn’t feel connected to the city and all these feelings? We call it City and write it with capital ‘P’. Who doesn’t feel connected and moved to this place? I don’t understand what was weird about what I said.” “I don’t feel my policy positions. I don’t care to be a Member of Parliament,” she then said, responding to allegations from some after her positions. Marina Satti spoke to Niki Lyberaki about her childhood and the beginning of her career. He does not stop experimenting in music and working for the new jobs he is preparing for the next period. “I see friends raising children and it seems to me very difficult, it scares me,” he said at another point in the interview. During the interview, Niki Lyberaki tried to reveal aspects of the character of her guest, which many are not widely known. At 38, Marina Satti seems to be going through the best phase of her career. She sees a series of dreams taking flesh and blood, with people embracing every artistic effort.