Giannis Vouros: Peggy Stathakopoulou had started and fainted, paled”

He referred to a shoot with her, under the guidance of Manousos Manousakis. Giannis Vouros sat on the sofa of “The Weekenders” on ANT1 and talked about the loss of Manousos Manousakis and his workmanship. In fact, he told a story about the long filming they did with Peggy Stathakopoulou. “You can’t otherwise have a result that makes a difference. We did a daytime outdoor shoot. He’s got a lot of pressure, stress and trouble. After taking our time, we thought we’d have some nighttime with Peggy Stathakopoulou. Nighttime ended up dawning with a nice light, which for filmmakers is excellent. Manusos told us to do three scenes because we were warm. We had 10 hours all night. Peggy said we should do it,” Giannis Vouros said. “When it dawned and we made the morning shots, we were told: ‘Wait a minute, guys, to rewind the camera and balance because Peggy is coming out green.” We did it and we did it again and it wasn’t from the machines. Peggy was beginning to faint and pale. It was a 24-hour continuous shooting. This was Manousos Manousakis,” said Giannis Vouros. Manousos Manousakis began working initially in cinema in the early 1970s. His name has been combined with the directing and production of Greek television series on private television since early 1990. The dramatic series which he directed are written on forbidden love, while some of them (Whispers of heart, Touch of soul, Don’t tell me goodbye, Love came from far away) is considered one of the most successful in the history of Greek television.