George Patoulis for the “gold house”: It was about my ex-wife’s aesthetics.

He was invited to the show “Buongiorno” at Mega and talked about everyone and everything. For personal, the “contra” of New Year’s Day in Regiment and Field of Mars, as well as the “noise” caused by the photographs made public by his ex-wife, from the apartment they lived in. Photos that framed a number of publications about the so-called “gold house”. “We are ready to accept a new member of the family, relaxed and ready for the new ones,” he first said about how he spent this year’s holidays. “I wasn’t thinking about it to the full extent of having a child, it came up. From the moment it came, a philosophy changed and a new priority was introduced. The circumstances that existed gave another priority, as if everything was created to happen. Not to continue a project that we had started with great difficulty in the Region of Attica, but on the other hand what is done is done for good,” he completed. CORVERSE Former Regional Governor of Attica referred to the current Regional Governor, Nikos Chardalias: “Nikos I think has knowledge. We are all judged by the result. I think we had made a strong basis for being able to build on it.” For the “contra” of the New Year’s Day in Regiment and Field of Areos, George Patoulis said: “To be able to choose with pluralism a citizen of Athens and to be able to go either to the Field of Mars or to the Constitution or anywhere else, it is good.” “I am optimistic and try not to create excessive images. On the other hand as a self-governing officer, as I have served all the part of self-government that has one neutrality, and there you always try to converge party differences for the benefit of citizens. I see the mayor of Athens as neutral. All of us should help Harry Duke to do what is best for the benefit of citizens.” George Patoulis also referred to the reports on the legendary “gold house”. “There was an aesthetic of my ex-wife’s house. There was a family photo, he posted it on social media, and it magically played everywhere, like it was the only thing at the time. I didn’t want to project my house, but my town, my job. There was exaggeration from some political fear,” he said. Finally, he referred to the zeibekiko he had danced in Zappeion amid fires facing the country, but also the reactions that were caused. “In that period we then had no fire in Attica, there was no matter where there was a three-day mourning. I was at an event of prominent Greek women who had come to be awarded.”